Curriculum vitae

Solo [S]

• 2021 Arte e Natura Opere dalle collezioni capitoline di arte contemporanea, Museo Bilotti, Rome, Italy [curator: Antonia Rita Arconti]
• 2020 ISEA 2020, International Symposium on Electronic Art, Montreal, QC, Canada[Online]
• Unbearable Lightness of Objects, Fundaçao Eugénio de Almeida, Evora, Portugal [curator: Monika Bakke]
• 2019 Voltaje Festival, San Juan de Dios Hospital, Bogota, Colombia [curator: Carmen Gil Vrolijk]
• 2018 Nephelograph (Mist Impressions) and Through the Looking Mist, Nuit Blanche, Paris, France
• Power Ball XX: Carousal, The Power Plant Contemporary Art Gallery, Toronto, Canada
• 2017 Voices: Artists on Art, 2017 – 1967: contemporary art 50 years after Sculpture '67, Harbourfront Centre, Toronto, Canada [curators: Yvonne Lammerich & Ian Carr-Harris]
• 2016 In Conversation: Art and Science, Centre Intermondes, La Rochelle, France [S]
• BIOTOPE, Maison de la culture Côte des-neiges, Montreal, QC, Canada [curator: Caroline Richard]
• Imagined Futures, Stewart Hall Gallery, Pointe-Claire, QC, Canada [curator: Manel Benchabane]
• 2015 LSS (Life Support System), Galerie B312, Montreal, QC, Canada [S]
• Przemiany Festival, Copernicus Science Museum, Warsaw, Poland [curator: Joanna Lesmian]
• 2014 ISEA 2014, International Symposium on Electronic Art, Dubai, United Arab Emirates
• Bienal del fin del mundo, Mar del Plata, Argentina [curator: Vittoria Biasi]
• Visualization of the Ponte Rotto Project, Festival del cinema, Rome, Italy [S]
• Mostra, British School at Rome, Rome, Italy
• 2013 Ponte Rotto, Polish Institute, Rome, Italy [S]
• Participatory Structures, At Home Gallery, Samorin, Slovak Republic [curator: Lidia Pribisova] [S]
• Air Condition, Stiftelsen 3,14, Bergen, Norway [curator: Pia Torgensen] [S]
• 2012 Living in a bubble, Label 201 Gallery, Rome, Italy, [curator: Elena Abbiatici] [S]
• True North, Anchorage Museum of Art, Anchorage, Alaska, USA [curator: Julie Decker]
• Spazi Aperti, Romanian Academy in Rome, Italy [curator: Eleonora Farina]
• Fashionality: Dress and Identity in Contemporary Canadian Art, McMichael Canadian Art Collection, Kleinburg, Canada [curator: Julia Pine]
• 2011 Here is not there, Expression, Centre d'exposition de Saint-Hyacinthe, QC, Canada [S]
• Mobile Habitat, Joyce Yahouda Gallery, Montreal, QC, Canada [S]
• 2010 Living space - Unusual Experience, CSW Laznia, Gdansk, Poland [curator: Agnieszka Wolodzko]
• Bare House, Pori Art Museum, Finland [curator: Annu Wilenius]
• 2009 Festival @rt Outsiders, Maison Européenne de la Photographie à Paris, France [curator: Jean-Luc Soret]
• Slow Wave, EMPAC Rensselaer, Troy, NY, USA
• FREEZE, Delaney Park, Anchorage, Alaska Design Forum, USA [curator: Julie Decker]
• 2008 Conversation Bubble, Stiftelsen 3,14, Bergen, Norway [S]
• Vue sur Québec, Liverpool Biennial, UK [curator: Lisanne Nadeau]
• Site Visits, Cambridge Galleries, Cambridge, Canada [curator: Ivan Jurakic]
• Manif d’art 4, La Biennale de Québec, QC
• 2007 Dressware 2, AKA Artist Run Centre, Saskatoon, Canada [S]
• Wild – Fantasy and Architecture, Wäinö Aaltonen Museo, Turku, Finland [curator: Jan-Erik Andersson]
• Sonar 3, Cafka – Contemporary Art Forum, Kitchener, Canada
• 2006 Dressware and other inflatables, Foreman Art Gallery, Bishop’s University, Sherbrooke, QC, Canada [curator: Gaetane Verna] [S]
• Canada Dreaming, Kunstverein Wolfsburg, Germany
• CAMP(sites), London Museum, London, Canada [curator: Melanie Townsend] and Confederation Centre Art Gallery and Museum, Charlottetown, Canada
• Blown, Dunlop, Regina & Kenderdine Art Gallery, Saskatoon, Canada [curator: Donna Wawrzonek]
• 2005 A Modern Day Nomad who Moves as She Pleases, Plein Sud, Longueuil, QC, Canada [S]
• Ice Dome project, Fonderie Darling, Montreal, QC, Canada [S]
• L’Envers des apparences, Musée d’art contemporain de Montréal, Canada [curator: Gilles Godmer]
• 2004 Travelling with my inflatable room, public performances across Canada [S] Southern Alberta Art Gallery, Lethbridge, AB Kamloops Art Gallery, Kamloops, BC Artspeak, Vancouver, BC
• Wearable Experience, Estonian Museum of Applied Art and Design, Tallinn, Estonia
• Buy-sellf, ALaPlage, Toulouse, France
• Biennale Nationale de Sculpture Contemporaine, Trois-Rivières, Canada[curator: Gaston St. Pierre]
• Performance et photographie: Shoot, Dazibao, Montreal, QC, Canada [curator: France Choinière]
• 2003 Air Space, YYZ Artists' Outlet Gallery, Toronto, Canada [S]
• Vitae, Mexico City, Mexico
• 2002 Faites de beaux rêves, Musée National des beaux-arts du Québec, QC, Canada [S]
• Uniblow Outifts, Khyber Centre, Halifax, NS [S]
• La demeure, Optica, Montreal, QC, Canada [curator: Marie Fraser]
• 2001 Inside Out, La Chambre Blanche, Quebec City, QC, Canada
• Oasis, Saidye Bronfman Centre for the Arts, Montreal, QC, Canada
• Tissus Urbains, Conseil des arts textiles du Québec, Montreal, QC, Canada

• 2019 Global Lab – Foisie Innovation Studio, Worcester Polytechnic Institute, MA, USA
• 2018 La Wayaka Residency, Coyo community, Atacama Desert, Chile
• 2017 Cité Internationale des arts, Paris, France
• 2015 International residency at Récollets, Paris, France
• 2014 British School at Rome, Italy
• LadHyx Laboratory, École Polytechnique, Paris, France
• 2009 AIR STEIM, Amsterdam, The Netherlands
• 2008 AIR TAIK, School of Art and Media, Pori, Finland
• 2007 Ted Harrison Artist Retreat Society, Whitehorse, Yukon
• 2006 Finnish Artists’ Studio Foundation, Helsinki, Finland
• Art Omi International, Ghent, NY, USA
• 2005 This Neck of the Woods, Rotterdam, The Netherlands
• 2004 Informal Architecture, The Banff Centre for the Arts, Banff, Canada
• AIR FoAM, Brussels, Belgium
• 2003 New Works Residency, The Banff Centre for the Arts, Banff, Canada

• Museum of Contemporary Art of Rome (MACRO, Italy), Musée d’art contemporain de Montréal (Quebec), Musée national des beaux-arts du Québec (Quebec), Stanley Mills Collection (Montreal), Musée d’art de Joliette (Quebec). Private collections in Canada and USA.

• 2016 - 2020 Doctoral Fellowship, Social Sciences and Humanities Research Council Canada (SSRHC)
• 2019 Travel Grant, Canada Council for the Arts
• 2018 Residency Grant, Conseil des arts et des lettres du Québec
• 2017 Residency Grant, Canada Council for the Arts
• 2016 Research and Creation Grant, Conseil des arts et des lettres du Québec
• 2015 Residency Grant, Conseil des arts et des lettres du Québec
• Research and Creation Grant, Canada Council of the Arts
• 2014 Research and Creation Grant, Diadonale Paris-Saclay, France
• Research and Creation Grant, Conseil des arts et des lettres du Québec
• 2013 Research and Creation Grant, Canada Council of the Arts
• Development Grant, Conseil des arts et des lettres du Québec
• Travel Grant, Canada Council of the Arts
• Travel Grant, Conseil des arts et des letters du Québec
• 2012 Studio du Québec à Rome Grant, Conseil des arts et des lettres du Québec
• 2011 Research and Creation Grant, Conseil des arts et des lettres du Québec
• 2008 - 2010 Long Term Grant, Canada Council of the Arts
• 2007 Research and Creation Grant, Canada Council of the Arts
• Research and Creation Grant, Conseil des arts et des lettres du Québec
• Honorable Mention Award, Mobility Design, Palm® and enRoute, Montreal, QC
• 2006 Residency Grant, Conseil des arts et des lettres du Québec
• Antrev Prize, Antrev & Associates Inc., Montreal, QC
• 2004 Research and Creation Grant, Canada Council of the Arts
• 2003 Research and Creation Grant, Conseil des arts et des lettres du Québec
• Honorable Mention Award, Selfware: The Politics of Identity, Graz, Austria
• 2002 Research and Creation Grant, Canada Council of the Arts
• 2001 Research and Creation Grant, Canada Council of the Arts
• Research and Creation Grant, Conseil des arts et des lettres du Québec
• 2000 Stanley Mills Prize, Stanley Mills Collection, Concordia University, Montreal, QC
• 1998 - 2000 J.W. McConnell Fellowship, Concordia University, Montreal, QC
• 1997 First Prize, New York Exposition of Short Film, Video & Interactive Multimedia, New York, USA [Grievous Angels – group interactive CD-ROM]

• 2021 Mist Collector and Other Works, Presentation Concordia University, Faculty of Fine Arts, Studio Arts Department, Montreal, Canada
• 2020 Ethical Response-ability in Karen Barad's Mattering: Art and Science Intra-action of Collecting Water from Fog, Presentation International Symposium on Electronic Art (ISEA2020), October 13-18, 2020, Montreal, Canada
• Mist Collector – Art and Science Project of Collecting Water from Fog, Presentation University of Waterloo, School of Architecture, Design Studio, Waterloo, Canada
• Ethical Response-ability in Art, Science and Architecture, Presentation Collège Jean-de-Brébeuf, Montreal, QC, Canada
• 2019 Garden the Sky Water, Conference host Sponsored by La chaire arts & sciences (École polytechnique, École nationale supérieure des Arts Décoratifs – PSL and Daniel and Nina Carasso Foundation), Paris, France
• Instilling Art Visions in the Science of Collecting Water from Fog, Presentation Design Science Symposium, Rhode Island School of Design, Providence, USA
• Imagining Futures Together: Mist Collector, Presentation Art in the Anthropocene Conference, Trinity College Dublin, Ireland
• 2018 - 2019 Garden the Sky Water, Conference co-organizer École Polytechnique, La chaire art & sciences, Paris, France
• 2018 Watering Future Gardens: Reflections on Human Ingenuity, Presentation Balance-Unbalance Conference (BunB 2018), Rotterdam, The Netherlands
• Living in a Cloud, Presentation FEmeeting Conference, Cultivamos Culturas, Lisbon, Evora, San Luis, Portugal
• 2017 - 2018 Summer School Organizational Committee, Member École Polytechnique, La chaire art & sciences, Paris, France
• 2017 Prendre l’eau de l’air au fillet, Presentation LASER Paris, Leonardo/Olats & La Diagonale Paris-Saclay, Paris, France
• 2016 The Concept of Design-Science in Art/Science Collaboration, Lecture Laboratoire Interdisciplinaire de Physique (LIPHY), University of Grenoble, France
• Mist Collector: Art and Science Project, Presentation 7th International Conference of Fog, Fog Collection and Dew (FFCD) 24 – 29 July, Wroclaw, Poland
• 2012 - 2014 Selection Committee, Board Member Studio XX, feminist artist-run centre with the focus on media arts, Montreal, QC, Canada
• 2013 Moving through Urban Landscape, Presentation Brillant Cité Symposium, Hexagram, UQAM, Montreal, QC, Canada
• Anti-entropic Role of Art, University of Silesia, Katowice, Poland
• 2012 Anti-entropic role of Art, Presentation Water is in the air Symposium, Leonardo/Olats, Institute of Advanced Studies Aix-Marseille Universiry (IMéRA), Marseille, France
• 2009 Habitats, Presentation Departent of Art, Rensselaer Polytechnic Institute (RPI), Troy, NY, USA
• Home as Practice, Lecture series Alaska Design Forum, Anchorage, Fairbanks and Juneau, Alaska, USA
• 2007 Tensile Structures, Lecture School of Fine Arts, University of Guelph, Guelph, Canada
• 2006 SleepingBagDress Prototype, Poster Presentation Responsive Architecture, Subtle Technologies Symposium, Toronto, Canada
• Sustainable Futures: Synergy of Design, Lecture Fiber and Material Studies, School of the Art Institute of Chicago, Chicago, USA
• Portable Homes: The Reality of an Inflatable Utopia, Presentation College Art Association Conference, Boston, USA
• 2005 Dressware, Presentation Wearable Futures Symposium, University of Wales, Newport, Wales, UK

• Encounters: Art, Science, Clouds and Water. Rewakowicz, A. In Transmedia Change: The design, implementation, and testing of socially conscious transmedia stories. Edited by Moloney, Kevin, Palilonis, Jenifer and Sarah Jansen. Abingdon: Rutledge, 2022 (upcoming).
• Ethical Response-ability in Karen Barad's Mattering. Art and Science Intra-action of Collecting Water from Fog. Rewakowicz, A. In Proceedings of the International Symposium on Electronic Art (ISEA2020), October 13-18, 2020, Montreal, QC.
• Mist Collector: Art and Science Project. Rewakowicz, A., C. Duprat and J.M. Chomaz. In Proceedings of the 7th International Conference on Fog, Fog Collection and Dew 24 – 29 July 2016 Wroclaw, Poland, edited by Marek Blas and Mieczyslaw Sobek,129-132. University of Wroclaw, 2016.
• Anti-Entropic Role of Art. Rewakowicz, A. Leonardo vol. 47, no. 1 (2014): 76-77.
• A Modern-Day Nomad Who Moves as She Pleases. Rewakowicz, A. dpi no.8 [online magazine](2007).

• L’art et la science à l’oeuvre dans la collecte de l’eau du brouillard: une démarche éthique. Rewakowicz, A. In Art versus Société: soumission ou divergence ? Edited by Fischer Hervé. Catania: Osservatorio Processi Comunicativi, M@gm@ vol. 18 n. 3 (2020): 99-108.
• Le rôle anti-entropique de l’art. Rewakowicz, A. Plastir 54 (06/2019).
• Blowing The Ruled. Rewakowicz, A. In Objects mathématiques, edited by Cédric Villani and Jean-Philippe Uzan, 168-173. Paris: CNRS Editions, 2017.
• The Reality of Inflatable Utopia. Rewakowicz, A. Onsite 10 (2003): 40-45.

• SR-Hab. Rewakowicz, A. Boundaries 14 (2014): 12-13.
• Ana Rewakowicz. In Pori AiR [first] five years, edited by Annu Willenius, 42-49. Helsinki: Aalto University, 2011.
• Ana Rewakowicz. Art World Magazine: Snacks, Chine (July 12, 2011)
• Portfolios. Rewakowicz, A. ESSE 65 (2009): 42-43.
• Self-Inflation through Walking. Selfware.file.02 (2004): 66.

• La materia come linguaggio interdisciplinare: intervista ad Ana Rewakowicz. Galdo, Luisa in conversation with Ana Rewakowicz. Lux Flux Online Magazine, N° 58 (2016).
• Ana Rewakowicz. Someone’s Garden in interview with Ana Rewakowicz. In We Love Artists: Artist in Residencies around the world, edited by Someone’s Garden, 284-287. Tokyo: BNN, 2009.

• Boundless Objects. [Curator: Monika Bakke]. Evora: Fundaçao Eugénio de Almeida, 2020.
• Futurs Imaginés. [Curator: Manel Benchabane]. Pointe Claire: Stewart Hall Gallery, 2016.
• Design an Epoch: Przemiany Festival. [Curator: Joanna Lesman]. Warsaw: Copernicus Science Centre, 2015.
• Internation Symposium on Electronic Art (ISEA2014). Dubai: Zayed University, 2014.
• Fine Arts 2013-2014. [Editor: Marco Palmieri]. Rome: British School at Rome, 2014.
• True North. [Curator: Julie Decker]. Anchorage: Anchorage Museum, 2012.
• Spazi Aperti. [Curator: Eleonora Farina]. Rome: Accademia di Romania, 2012.
• Here is not There/Ici n’est pas là-bas. [Text: Bernard Schütze]. Saint-Hyacinthe: Expression, 2011.
• Bare House - Pori-Ratterdam-Ulaanbaatar. [Curator: Annu Wilenius]. Pori: Pori Art Museum, 2011.
• Festival @rt Outsiders (In)Habitable? [Curators: AnnickBureaud]. Paris: Maison Européenne de la Photographie à Paris, 2009.
• La Demeure. [Curator: Marie Fraser]. Montreal: Optica, 2008.
• CAMPsites. [Curator: Melanie Townsend]. London, ON: Museum London, 2008.
• SiteVisits. [Curator: Ivan Jurakic]. Cambridge, ON: Cambridge Galleries, 2008.
• Ana Rewakowicz: Dressware and Other Inflatables. [Curator: Gaetane Verna. Texts: Craig Buckley, Cynthia Hammond, Meredith Carruthers and Gaetane Verna]. Sherbrooke: Foreman Art Gallery of Bishop’s University, 2007.
• Wild-Fantasia ja arkkitehtuuri. [Curators: Jan-Erik Andersson and Jen Budney]. Turku, Finland: Wäinö Aaltosen Museo, 2007.
• L’envers des apparences. [Curator: Gilles Godmer]. Montreal: Musée d’art contemporain de Montréal, 2006.
• Blown: Seema Goel, Ana Rewakowicz, Max Streicher and Robert Zingone. [Curator: Donna Wawzonek]. Regina: Dunlop Art Gallery, 2005.
• Spilled. [Curator: Melanie O’Brian]. Vancouver: Artspeak Gallery, 2004.
• Entre ciel et terre. [Curator: Gaston St. Pierre]. Trois-Rivières: Éditions d’art le sabord, 2004.

• Lazzarotto, Quentin [director]. Man Ray et les équations shakespeariennes. Paris: Institut Henri Poincaré, 2019.
• Wachtmeister, Jesper [director]. Microtopia. Stockholm: Solaris Filmproduktion, 2013.

• Francis, Sharon. Bubbletecture. London: Phaidon Press, 2019.
• Krauel, Jacobo. Inflatable Design Architecture and Art. Barcelona: LinksBooks, 2014.
• Prost, J.F., M.P. Boucher, J.M. Dufresneand and G. Melgar. Heteropolis. Montreal: Adaptive Actions, 2013.
• Willenius, A. ed. Pori AiR [first] five years. Helsinki: Aalto University, 2011.
• Schwartzman, Madeline. See Yourself Sensing. London: Black Dog Publishing, 2011.
• Budney, Jen and Adrian Blackwell, eds. Unboxed, Engagements in Social Space. Ottawa: Gallery 101, 2005.
• Choinière, France and Michèle Thériault, eds. Point and shoot: performance and photography. Montreal: Les Éditions Dazibao, 2005.
• Zebra Collective. Buy-Sellf. Bordeaux: Association Zebra, 2004.
• Nadeau, Lisanne, ed. 4 installations pour le Grand Hall du Musée du Québec. Quebec: Musée du Québec, 2003.
• Bouillet-Chalem, Mariette. Chambre Blanche: Bulletin 27. Quebec: La Chambre Blanche, 2000.

• Christova, Iglika. Quand les imaginaires artistiques se jettent à l’eau. Arts Hebdo (2017). Retrieved from: http://artshebdomedias.com/article/imaginaires-artistiques-se-jettent-a-leau/
• Gracian, Louis. Suivre La Goutte d’Eau. Parcours des Arts n˚48 (2016): 85.
• Lanoëlle, Agnès. Le brouillard, tout un art. La Rochelle Sud Ouest (October 13, 2016).
• Moeder, Claire. La solitude des plantes. Claire Moeder’s Blog (January 19, 2016). http://clairemoeder.blogspot.fr/
• Paré, André-Louis. Écologie: entre éthique et esthétique. Espace Art Actuel 110 (Spring/Summer 2015): 2-3, 5-6.
• Dubrowska, Magdalena. Festiwal Przemiany w Koperniku. Wyborcza (August 31, 2015).
• Lehocky, Lubos. Ana Rewakowicz: At Home Gallery, Samorin. Flash Art CZ/SK 61 (2014): 31.
• MacDonald, Marie-Paule. Radical Environments of the 21st century. Artext Supplement no.1 (2009): 26-38.
• Delikta, Wojciech. Pochwala nietrwalosci. ARTeon nr 9 (2013): 26-27.
• Tanasescu, Marius. Les éléments qui ne se déchainent pas. Espace Sculpture 98 (2012): 40-41.
• Zawadzka, Monika. Przestrzen niezbedna do zycia. Architekture & Biznes (2010).
• Slessor, Catherine. Delight. Architectural Review vol. 3 (2009): 98. [Editorial]. Honorable Mention In Mobility Design 2007. enRoute (2007): 78.
• Strickland, Tom. Dressware and Other Inflatables. Para-Para (Summer 2006): 122.
• Mathieu, Marie-Christiane. Developing and Understanding of Places. Parachute no.119 (2005): 130-154.
• Delgado, Jérôme. Voyager Léger. Montreal La Presse (March 20, 2005):15.
• Zorde, Izida and Sarah Hollenberg. Asking the wrong questions: six artists respond. C Magazine 81 (2004): 32-38.